David Radavich
Aster
This is a star
that won’t stop.
Blue—or is it
purple—
on the edge
of colors
a green-yellow eye—
many of them—
staring at me
with no guilt
but considerable
need—not much time—
and dependent
on a watered
table that glows
all periwinkle
in its glass
infinity.
What a galaxy
is circling
in cool fire.
Dandelion Dance
This is the flower to kiss.
To blow into fields
knowing somewhere
suns will open
in days to come,
and then more
air-bombs
delicate as an idea
that vanishes
before anyone
can know
what love is,
what forbidden
blooming
can lead to,
my lips
dusted in
possibilities.
Pruning a Crepe Myrtle
The tree that grows inward
will quit blooming.
Too many leaves,
too little sun.
Best to sculpt the branches
outward, like a fan.
Think Japanese,
or Habañera.
Make the shape of life
into its own art
in mid-winter,
before summer blossoms
can tell stories
of these bright shears.
David Radavich
I have practiced transcendental meditation twice a day for over four decades. In fact, I began writing poetry only after I learned to meditate, getting in touch with deeper realities leading to outward expression. So my writing has always been infused with a contemplative perspective on the world, in which inner and outer realms are seamlessly interwoven. As someone who has valued the Hindu, Buddhist, and Native American sacred texts, I am a practicing Episcopalian.
David Radavich's recent poetry collections are America Bound: An Epic for Our Time (2007), Canonicals: Love's Hours (2009), and Middle-East Mezze (2011). His plays have been performed across the U.S., including six Off-Off-Broadway, and in Europe. He has been president of the Thomas Wolfe Society, Charlotte Writers' Club, and North Carolina Poetry Society. His latest books are The Countries We Live In (2014) and a co-edited volume called Magic Again: Selected Poems on Thomas Wolfe (2016).